Exclusive Music Video: The Knights' "Ascending Bird" Featuring Yo-Yo Ma
“... The music that came from it was connected to an old myth that concerned a bird trying to fly towards the sun. Its first attempts were failures; it wasn’t until the bird shed its physical shell that it could transcend earthly limitations.”
— WQXR
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The Knights Find the "Sweet Spot" at Harris Theater
“...the Brooklyn-based Knights seem to have found a sweet spot with programs that meld the familiar and novel, giving their fan base a taste of discovery with each performance... judging by the near-capacity crowd and enthusiastic response, one would expect local presenters to take heed.”
— Chicago Classical Review
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The Knights, "Particularly Impressive" on Their new Release with Gil Shaham
“The orchestral playing is particularly impressive: The Knights, under the baton of Eric Jacobsen, provide both a strong force and subtle sensitive moments... The orchestra gives strength in characters, glowing and shimmering... full of ever-changing virtuosic prowess.”
— Primephonic
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Gil Shaham and The Knights Premiere Jonathan Leshnoff's Violin Concerto
“I hope The Knights are invited back — and soon.”
— The Baltimore Sun
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The Knights with Lise de la Salle: "Impressive," "Elegant," "Soulful"
“[Colin] Jacobsen joined the cellist Eric Jacobsen (his brother) and Ms. de la Salle for an impressive rendition of the Ravel Trio in A minor... [de la Salle’s] colorful, technically assured playing balanced the richly toned, passionate contributions of the Jacobsens.”
— The New York Times
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The Knights at Dumbarton Oaks: "Deft" and "Imaginative"
“The contemporary-music scene in New York has been generating a nearly endless stream of high-powered young ensembles over the past decade. On Sunday night, one of the most imaginative of them — a musical collective known as the Knights — came to Dumbarton Oaks as part of the museum’s Friends of Music series.”
— The Washington Post
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The Knights Celebrate Don Quixote's Birthday at Tanglewood
“...the 26-member ensemble again demonstrated its polish, versatility and spirit in this and the evening’s other performances.”
— The Berkshire Eagle
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The Strad Recommends The Ground Beneath Our Feet
“With roots in the workshops of Yo-Yo Ma’s Silk Road Ensemble, this [The Concerto for Violin, Santur and Orchestra] glittering, propulsive piece of East–West fusion blends solo sections for santur (Persian zither) and high, driving passagework for violin with shifting textures of strings, wind and percussion.”
— The Strad
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The Knights Open The Naumburg Orchestra Concerts, Soggy Yet "Spirited."
“The performances, in every case spirited and vital, survived amplification and the elements surprisingly well...”
— The New York Times
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The Knights Chosen to "Shift" the Orchestral Paradigm
“[The Orchestras’] enthusiasm for showcasing music that reflects their cities, and their innovative concepts for engaging with the community outside the walls of the concert hall, to us, reflect a fundamental and positive shift in how today’s orchestras view their role in the community.”
– The New York Times
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The Knights "Thrill" Audiences on their European Tour
“...when they performed “The Chairman Dances“, John Adam’s Foxtrot for orchestra, together, one feels how they play in one spirit. The meeting of “chairman” Mao Zedong and US president Richard Nixon, ironically put into music, leads to a rhythmical game of deception which is brought staggered by tricky syncopation. But this is no problem for The Knights; they accurately listen to each other, and they operate powerfully.”
— Darmstadter Echo
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The Ground Beneath Our Feet: Buoyant, Vivid, Splendid...
“The range and inventiveness of the Knights, the New York orchestra founded and led by the brothers Eric and Colin Jacobsen, is everywhere on display in this beguiling new release.”
— SFGate
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The Ground Beneath Our Feet: "Outer Space Sure Sounds Pretty Great to Me"
“They’ve dedicated their latest album, the ground beneath our feet, to the concerto grosso. The album features both classic and new examples of the form, from Bach to Stravinsky to some of the group’s very own composers. The result is a collection of music that’s grounded in a common cause but weightless in execution.”
— Second Inversion
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The Knights' Live Recording of Steve Reich: Six Minutes of "Mesmerizing Sunshine"
“It’s a lovely and welcoming opener to the ground beneath our feet, a new album from the young musicians of the chamber orchestra The Knights. Bach, Stravinsky, Reich and even a couple of the ensemble’s own adventurous compositions commingle on this satisfying new release.”
— NPR
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The Knights and Bela Fleck at Florida State University
“The most demanding portion of the evening arrived before intermission with The Knights’ full-steam charge aimed at the heart of John Adams’ frenetic Chamber Symphony. The driving work was inspired, in part, by the music for “The Road Runner” cartoons and left no percussive instrument untouched.”
— Tallahassee Democrat
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The Knights with Bela Fleck: An Orchestral Group Effort at Schimmel Center
“Last Wednesday, at Pace University’s Schimmel Center, the Knights gave an expressive and exuberant performance of ‘ ...The Ground Beneath Our Feet,’ the title track of the ensemble’s new album”
— The New York Times
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The Knights at Carnegie Hall: We're Nothing But Busts, Mozart. Busts!
“The conductor Robert Spano led the impressive chamber orchestra the Knights and a wonderful cast of singers taking multiple roles in a vibrant performance of the piece, directed by Mary Birnbaum... even those who lack understanding of the rudiments of harmony would surely enjoy it, while also learning something in the most entertaining way.”
— The New York Times
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Roulette: The Knights Evoke a Paris Nightclub, and Their Roots
“The Knights have earned a reputation for innovative programming; with this event, they wanted to capture the spontaneity of the concertgoing experience that was typical before the formal overture-symphony-concerto lineup became standard in the 20th century.”
— The New York Times
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Tanglewood: The Knights, on a Stormy Night, a Fresh Breeze in Ozawa Hall
“Genre-bending (it used to be called crossover) is all the thing in music these days.... At its best, it’s the kind of thing The Knights (and the ladies among them) do.... As important as the repertoire...was the joy in the music-making. You could see it in the players’ lithe swaying to the music and hear it in the lithe sounds that emerged.”
— The Berkshire Eagle
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The Knights and Timo Andres Fill Out Mozart's 'Coronation'
“As played by the Knights, an excellent chamber orchestra, on Tuesday at the Naumburg Bandshell in Central Park, the composer and pianist Timo Andres’s take on the “Coronation” (otherwise known as the Piano Concerto No. 26 in D) felt necessary — not a lark but a surprisingly moving dazzler.”
— The New York Times
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